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“Best Gold”, an amalgam of brown gold and mercury, was used in the decoration of fine porcelain.
Because of its high value, the Gold Room at Spode was always locked and only a director of the company was allowed to weigh the gold, mercury and gold flux ready for milling.
A Copeland and Garrett mark appears on one of the copper plates.
It is a series of scenes depicting events in the military career of the Duke of Wellington.
There is no evidence that the name was used when the pattern was designed by Copeland and Garreett, however, a 20th-century mark refers to the pattern as "Spode's Seasons." There are two series of centres: one depicts specific places (Windsor Castle, The Alps, etc.); the second, Italian Garden, depicts formal gardens, in both series a vase of cut flowers appears in the foreground. It is illustrated only in the china pattern book and has been found only on bone china.
Originally it had no centre design, but in the 20th century a scenic centre was added and the name changed to Old Salem.233 Tower (ca. Earliest pattern number for the border, which is the same as the Milkmaid border, is 3166. The mark on the copper plate was used between 18 (Godden 191).238 Violet (pre-186720th century).
In the mill, the amalgam was ground in water with a heavy pestle for two weeks then dried. The Trust has photographs of the grinding process with Tom Brough, foreman gilder, at work in the 1950s.
A very small selection from a large quantity of pitcher profile tools in the Spode Collection, many of which date back to around 1800, and some of which have bear the names or initials of the workers who used them.
The border is part of a Spode pattern that was used over many years. It was registered in 1884 and, under the name "Bertha," in 1894. It was reregistered in the 20th century under the name "Lady Anne."227 Star (pre-1867?
Copeland and Sons' 1882 catalogue and seems to have been reserved for toiletware.